3e édition du Festival Artocène : Le Vide comme repère

Lili Reynaud-Dewar "Teeth Gums Machines Future Society"

Spatial, The Ephemeral, And The Possibility Of It All

Jean-Ulrick Désert. Conspicuous Invisibility

Now Boarding: Experiencing Singapore through Travel, 1800 - 2000s

DAVID ZINK YI: PLAYING UNTIL FAILURE

Online Course "Performance Art: From Idea to Execution"

Martha Jungwirth: Looking the Goat in the Eye

Tender Absence – Digital Showcase

Soothsayer by Charlotte Roseberry

The elephant in the room: 'is Energiewende stalling?'

Psychopomp

Woman Scream 2023 Call for Volunteer Event Coordinators

Christmas Pop Up Gallery

Online Course "The Committed Body: Political Performance Art from Latin America"

Online Course 'Performing the Memory'

100 Stars in the Sky - 100 tips for artists

Blooming Love | Nastien & Tropismen

Watch a Korean Master Craftsman Make a Kimchi Pot by Hand

Jin-Gyu learned the ancient art of onggi pot-making from his parents. Today, he is the youngest of about 20 people left ...

Jin-Gyu learned the ancient art of onggi pot-making from his parents. Today, he is the youngest of about 20 pe...

The Working Artist’s Guide

'Asia Focus' for Venice Meeting Point 2019

Inhwan Oh, 〈Where He Meets Him in Venice〉, 2019. Incense powder, dimensions variable.The 4th edition of the ...

Inhwan Oh, 〈Where He Meets Him in Venice〉, 2019. Incense powder, dimensions variable.The 4th editi...

HISTORY: The Case for Video Art

What is video art? How is it any different from all the other moving pictures that are apparently not-art? It...

What is video art? How is it any different from all the other moving pictures that are apparently no...