Charlotte Roseberry’s practise experiments with the ‘process’ of painting and its magical, mystical outcome. She is interested in the materiality of paint and the ways in which painting can manifest, and constrain, her creativity. Working mainly in oils, she produces contemplative compositions of semi-organic marks and forms that are contrasted with a sharper, jarring, graphic style. Her work is open to accidental and experimental mark making (reminiscent of the automatic drawing and painting of the Surrealist movement) allowing for ‘conversations’ with her subconscious by employing ritual and repetition. Her paintings are attempts to explore, or at least peep into, (what she calls ‘scrying’), any significant or perhaps divined message contained within.
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