Drawing from a variety of theories, exercises, and interdisciplinary practice, this course guides students through the creative process of developing of a live performance art piece.
The main objective of this course is to prepare the participants to develop an idea into a live performance art piece. In the process, participants practice how to think critically about performance art and find their unique way of expression. In order to gain historical and disciplinary perspective, participants learn about precedents such as Futurism and DADA, the development of the scene in various parts of the world, leading artists such as Yoko Ono, Marina Abramovic, or Vito Acconci, as well as crucial festivals and exhibitions. In addition, the course analyzes performance art in relationship to other performative disciplines like theatre, dance, or video art and address key forms such as body art and performative political works. Physical and mental exercise used in performance but also derived from yoga, trust exercises, and Zen Buddhism meditation techniques are taught. Participants are guided through a specific creative process the result of which is shared via livestream at the end of the course. Dates: May 9-30, Tuesdays 6-8PM CET
☆Donation:
Guide
Cutting the Puppeteer´s Strings
For Data You Are, And To Data You Shall Return / 为数据所生，亦归数据而去
Disinformation - “Antithesis”
the end of work + USELESS Micro Commissions
Flowers in the Fire
THE UNFATHOMABLE UNDERSTANDING: MOSHGAN REZANIA & ROBERTA JEAN SMITH
Alexandra Hopf, Being Renée Sintenis & The Women of My Life
exhausted and exuberant
Cost of Sojourn: Survival and actions revealed in unspecific sites
Paik’s Video Study - Nam June Paik Art Center
Brea Weinreb - Between Men
Paik’s Video Study
Poetry and Performance. The Eastern European Perspective
MMCA Symposium : WHAT DO MUSEUMS CONNECT? MUSEUMS IN A POST-PANDEMIC WORLD
Goyoson: not him, but them and Michel
Tilda Swinton Pays Tribute to the Films of Pier Paolo Pasolini
Stop Painting
