This intensive workshop is dedicated to performance-based filmmaking’s conceptual, aesthetic, and practical aspects. This field exists at a dynamic intersection of two art forms: body-based performance art and filmmaking. To inquire into the pillars that constitute the cross-contamination of those two practices, we expand upon the “Poetics of Relations”, the embodied research we have pursued since 2006, to discuss some of the conditions and methods of performance-based film work production and presentation. It involves exploring the differentiation between objective and subjective points of view and perspectives while performing for the video camera and how to allow the viewers to receive what the performers experience. During the Workshop, we will watch a series of excerpts from performance-based films that help illustrate and refine our discussions of the difficulties accompanying these problems. Attention is placed on exploring the similarities and variations between the realization of imaginary worlds and the interpretation of reality as it appears to the eye.
In this course, we do not teach filmmaking or editing techniques. Instead, we address the essential questions such as: 
•    The difference between video and film work; 
•    The reasons why to choose a specific topic; 
•    Scouting locations; 
•    Performing for the camera, even in extreme conditions; 
•    How to forge a personal poetics; 
•    The role of spoken word, music and sound; 
•    How to structure a (non-linear) narrative through moving images; 
•    Production and post-production of a performance-based film.