The works, shown for the first time in Germany, feature animal figures adapted from Romanesque bas-reliefs and formed in thin neon tubes, mounted on transparent panels: one, depicting a group of four monkeys, is suspended from the ceiling, while the other comprises three isolated figures—a hare, a lion, and a monster devouring a human—arranged together on a rack. The simply outlined yet intricate images preserve the aesthetic of their source material, while extending its symbolism and expressivity, transformed and transmitted through the medium of neon.
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