Walter uses the story of the cult to allegorise the spread of memes, demonstrating how viruses of the mind can get a free ride on the back of art, music, and architecture in order to gain a selective advantage in the war for our attention.
Jezreel’s Tower takes Walter’s ongoing interest in ‘shonky’ production values to a new level of complexity, experimenting with immersive video combining 360° live action with sets animated in VR drawing package Tilt Brush. It was conceived when Walter came across a reference to Joanna Southcott (a self-described religious prophet who lived in Exeter, Devon), which sent him down a rabbit hole of cults and prophecies that eventually lead him to the eponymous Jezreelite tower, which began construction in 1885.
Produced during the unexpected series of Covid lockdowns, Walter’s original intention to work with actors and crew was transformed, when the duty fell to him to take on all 31 roles himself, shooting alone on blue screen in his studio. Dressed in a series of extraordinary costumes, made using fabrics designed by the artist (and beautifully constructed by Vivien Eldred, Sian Fowler and Susan Williamson), Walter’s characters tell the story of how the bizarre tower, a sanctuary, temple and platform for escaping the end of the world, came into being.
About the artist https://www.johnwalter.net/about/index.html