*Lerato Shadi, Lefa Le, 2019, Neon-Sign Installation (detail). Courtesy Lerato Shadi, Photo: dewil.ch (cc by-nc-nd), 2019
Lerato Shadi makes the invisible or overlooked visible in her work and criticises purely Western notions of history. She places her body at the centre of her work—often in lengthy, physically demanding performances. The solo exhibition at the KINDL presents videos, neon signs, and a photographic work as well as a new series of textile works that address the relationship between the panel painting and performativity.
☆Donation:
Guide
Work in the Margins
LINDA PLAISTED: THE SPIRITS THAT LEND STRENGTH
A Kind of Magic
“I know how I got here, but I don't know how to leave.”
Flowers in the Fire
Johnny Miller. Unequal Scenes & Saltworks
Alexandra Hopf, Being Renée Sintenis & The Women of My Life
Now That's What I Call Dave Buonaguidi! 10
Cost of Sojourn: Survival and actions revealed in unspecific sites
Lee Miller – Man Ray: Fashion, Love, War
Hrair Sarkissian: The Other Side of Silence
Gillian Wearing: Wearing Masks
Paik’s Video Study
Jean-Michel Basquiat's 'Untitled (Skull)
Poetry and Performance. The Eastern European Perspective
Sebastião Salgado – Amazônia
A Peek through the Iron Curtain with Sibylle Bergemann’s Wintry Duo
