Moving between naturalistic and abstract, the artist explores the synergies between the facets that appear during the knapping process and the compositions of cubist paintings.
Glazed and fired clay in blacks, whites, greys with traces of the delicate pinks and blues these ceramic sculptures reflect the colours that are revealed when the stones are cracked open.
East Anglia is famous for its flint, and large-scale charcoal drawings and watercolours explore some of its architecture and tools.