Lynch’s five-decade career includes an extensive range of art-making— painting, drawing, photography, printmaking, sculpture, music and film. While studying at the Boston Museum School and the Pennsylvania Academy of the Fine Arts (PAFA) in the late 1960s, Lynch envisioned his first ‘moving painting’; a multidimensional painting beneath a moving projection titled Six Men Getting Sick (Six Times) (1967). This multimedia work marked Lynch’s first foray into video and filmmaking. Since that time, his prolific career has touched on subjects of the organic body and industrial sites in various states of decay, describing a deeper human experience both beyond and within the everyday. Often depicting these scenes with a language of surrealism and mystery, Lynch’s work balances at the porous divide between the body and the world it inhabits.

Lynch has been the subject of numerous solo exhibitions, including, most recently, a survey at HOME, Manchester (2019). Retrospectives include “Someone is in my House” at the Bonnefantenmuseum, Maastricht (2018-19), “Silence and Dynamism” at the Centre of Contemporary Art, Torun, Poland (2017-18), “Between Two Worlds” at the Queensland Art Gallery in Brisbane, Australia (2015), and “The Air is on Fire” at the Fondation Cartier, Paris (2007). In 2014-15, a survey was presented at the Pennsylvania Academy of the Fine Arts (PAFA) where he studied. In 2013-14, Brett Littman curated a thematic selection of works utlizing “naming” through narrative text at Kayne Griffin Corcoran, Los Angeles, which traveled to the Middlebrough Institute of Modern Art (2014-15). Other earlier important solos included “David Lynch: The Factory Photographs” at the Photographers’ Gallery, London (2014), the GL Strand in Copenhagen (2010-11), and the Garage Center for Contemporary Culture in Moscow (2009).  <Sperone Westwater>