Tomas Lagūnavičius, an interdisciplinary artist and the author of the Post-Post Cynical Art movement, raises questions that are currently becoming crucial in the field of art: Artificial intelligence creates an overproduction of images, an oversupply in the art market, where the image and artistic aesthetics are no longer important. The price of the work becomes the most important object. This is why POST-POST CYNICAL art is pushing to the forefront. It is an art that not only deconstructs the impact that postmodernism has had on the art world, but also reveals the main characteristics of contemporary art. The first characteristic is IMAGE IMPORTANCE. It is not even about whether a work of art is beautiful or ugly, it is about HOW MUCH DOES THE ART COST? Or HOW MUCH IT ATTRACTS IN PROJECT FUNDS? Post-post cynical art puts this out there and its main art object is not the content, but the dimensions of the painting, the material it is made of or the copyright. The price of a work of art has no relation whatsoever to what the painting is. It all depends on the circumstances, on the place where the art object is exhibited, on the curator who curates the exhibition.”
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