Expansive artistic works by Liz Rosenfeld and caner teker react with each other and encounter the architecture of the Bärenzwinger. In the exhibition, physical resonance crosses through animate and inanimate matter, traverses bodies, spaces and times. Bodies that resonate with each other can also be alliance bodies, forming a collective and resilient body. How a body is perceived, how it moves, is closely intertwined with the scenes and spaces in which it appears and with the other bodies it encounters. Which bodies are welcome where?
Based on the history of the place as a street cleaning depot with a public convenience, the artists follow codes and traces of cruising, the presence of desire in public space and in secret. A body shakes in an empty darkroom, a video installation, prints and drawings by Liz Rosenfeld cover the building. An installation work and sculptures by caner teker discover other ways of archiving performances, beyond film and photographic traces. A new edition of the PARASITES publication brings together four perspectives on cruising and ways of remembering and archiving in the dark.
☆Donation:
Guide
Useless Bodies?
Bernar Venet, 1961—2021 60 Years Of Sculpture, Painting & Performance
Frida Kahlo’s Self-Portraits: A Video Essay
Berlin International Film Festival 2021
Textile Artist: Bisa Butler makes Beautiful Quilted Portraits of Frederick Douglass
Top 7 world-famous portraits transformed into living human beings
Why These Artists Brutalize the Female Body
“Time Lapse” by Photographer Xan Padrón
