In her paintings, Emma Păvăloaia explores spatial and temporal liminal territories, geographies made up of hypnotic landscapes, shrouded in twilight atmospheres, but especially the way in which the human psyche relates to nature and supernatural realities.
"The Garden of Earthly Discontents proposes a plural figurative discourse, articulated along the lines of neo-surrealism, in which the landscapes of collective human tragedies are decorated with the objects that refer to personal micro-dramas (...) The same realms that house the ruins of a defiant consumerist civilization become both purging spaces for the artist’s experiences and habitats for a wondrous new world, for an ecosystem of fragile and bizarre biotopes, the result of a new Creation"
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