Why do all-white paintings sell for millions of dollars and end up in museums?
Elisabeth Sherman, assistant curator at the Whitney Museum in New York says that “white isn’t ever a pure thing, white is always tinted in some way.” Of course we know this, she acknowledges, because we’ve marveled at the dozens of shades of white in the paint section of the hardware store. Attend to the subtle gradations of white, from warm to cool, and the range of textures, lines, patterns, shapes, and “subtle intricacies,” and the all-white painting begins to reveal itself as an almost living, breathing thing rather than a piece of decorative drywall.
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