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My meaning being, that this is the first time since studying art history that we have composed a text about the work of an artist we have not met. Hhmm. Skype conversations don’t really count; they are as misleading as they are ‘leading’ – with the slippages of distance and crucial fractions of time impacting upon nuance, the reading of reaction and vice versa. A text communication from the artist beforehand to set up the cyber-date, is almost more revealing, as Flint writes (no emojis), “I just want to hear what your voice sounds like”. The thought is inescapable, that we have just heard hers.
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