Repossessions is a group exhibition inspired by the concept of reparations: the effort to repair the economic and psychological devastation caused by slavery for descendants of enslaved African Americans. It presents the work of five Black artists commissioned to create artworks based on documents from the enslavement and sharecropping eras in the United States. Chelle Barbour, Marcus Brown, Rodney Ewing, Kenyatta A.C. Hinkle (Olomidara Yaya), and Curtis Patterson each offer insightful ways to understand the significance of the original documents, which were offered to the artists by white families working toward repair through an initiative of The Reparations Project in collaboration with Reparations4Slavery and date from the 1860s to the early 1900s. Using a variety of visual strategies, the newly produced artworks contribute to viewers’ understanding of the long aftermath of enslavement and the need for reparations.