Dreams and trauma, rude awakening or nightmare: it is the darkness that captivates us in Thomas Zipp's work. His paintings reverberate, creating afterimages that linger in the memory. Paintings like echoes that distort what we perceive and at the same time create their own sound. FAMILY OF PRIME - a project by Thomas Zipp and the Afghan artist Kabul - takes this echo-like way of working one step further. The two artists react to each other, share the canvas, which is otherwise the sole domain of the individual artist, and undertake the experiment and risk of joint work. In this way, a work complex of five large-format canvases has been created that testifies to a silent dialog between two artists who are as different as they are autonomous.
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