Dragon of Time
Crystallygraphy 12 (CY 12) & Mythisthm 8
Gouache on paper ; 8.3 x 11.7 in / 21 x 29.7 cm
AUTHENTICITY : Stamped (monogram) & hand signed on the back + stamped (monogram) & hand signed certificate of authenticity
PAPER : Lana, Strasbourg, France.
FRAMING : artisan framer, France ; edge, wood, black, ready to hang.
FRAME’S CHARACTERISTICS : French wood, hand painted by the artisan framer, several coatings of casein free French paint, acid free cardboards, Saint-Gobain glass.
CRYSTALLYGRAPHY’S CORE PRINCIPLES :
never-ending both personal and a-personal (not impersonal) chroma-metagraphy
based on The Instant (Crystal). Made of shining and solid paintings (2D
multi-faceted crystals calling the viewers’ perception), each CY is also made
to be touched (enough solid, & often presenting relief). 90% are just
gouaches (sometimes with glue, but in general just gouache w. water as CY 12
"Dragon of Time"). Leading to deep &/or sweet thoughts &/or
delectation, some life crystals.
MYTHISTHM’S CORE PRINCIPLES :
Mythe+Isthme+Rythme (Myth+Isthmus+Rhythm); born from Crystallygraphy (birth→emancipation) ; a cosmic cartography where appear new stars ; inner constellations to draw ; some are parts of two series (MHM-CY, …) as they are spherical cornerstones.
Original painting - Available
© BEUCHET Fabien
Born in June 1982 in France, actually living in France and establishing an
international life project made of Painting, Photography, New Media, Art
Criticism and Art History, I attach a mighty importance to each life element in
a Far Eastern organicist vision of existence.
Inner and outer, whole and one, a
perpetual dialogue I just want to take part in. How? Through a search for
both delectation and thought via an aesthetic based on chromati(ci)sm and on a
well-developed brilliancy, to give my creations a full autonomy through
their affirmation within their own dialogue with any environment (personal
technique, no varnish, 90% : gouache only, 10% : sparkling paint and/or
golden/silver paper, 2/3 of the time retouching more than with a simple
contrast+ my photos : minimal post-Instant realization).
Long meditations and
self-projections in life facts before an intense, fast, profuse or laconic,
tangible action, a crystal ; always willing not to annoy
any-thing (from a stone to a yelling person, a wind to a cell), crystals in
order to contribute to a lucid and wide open universal smile.
My inspiration takes its
roots in the alliance of modernity and tradition, of everyday life,
philosophies and myths, of self-language and multi-language. I particularly am
impregnated with Asian civilizations (Japan, China, Korea ...) and peoples,
with Middle Ages, and with a part of 19th-20th Western centuries.
The miniaturist way to
perceive Art (artist and viewer) is also one of the points I develop. Painting & taking photos as a
writer, writing as a painter-photographer, 90% of my creations are,until
now, small sized, and a lot of them present many details and paths to discover.
Along with the union between myth
and daily life, the declaration of universality through individuality (and
vise-versa) through an artistic
search for the Instant in an action in motion between abstraction and
figuration, gesture and non-gesture, void and Void, zero and Zero, is a
characteristic of my will of fusion.
Concretizations : Crystals (unions between daily life and
myth, motion and constancy, us).
In eleven words : Smile-Asceticism, Chroma, Crystal,
Mirror, Isthmus, Instant (spherical lightning in which we are not just living
but Being), Intercivilizational, Satori (Illumination), Fusion, For².
BEUCHET Fabien, France