A handmade abstract film for the Swedish artist and mystic Hilma af Klint (1862-1944),"Seance for Hilma," is an experiment in mystical 'disrupted stereoscopic' using random intervals and elements devined from 'filmic automatism' (chance edits, random colors, and abstractions): inspired by the Surrealists - and guided by the spirit of Hilma af Klint.
Hilma af Klint's early abstract paintings were among the very first abstract European art, predating better known artists.The paintings and drawings of af Klint are truly breathtaking, but Klint is only now being recognized as an important early figure of modern European abstract art. Though her work prefigures that of Kandinsky, Mondrian, Klee and others, reportedly none of them ever saw her work. Hilma af Klint was discouraged from showing her work in public by her mentor in Theosophy, Rudolf Steiner. Af Klint painted for the future: she stipulated that her work not be shown in public until twenty years after her death.
Hilma's spiritual life and early preoccupation with Nature is as interesting as her artwork, and the two are deeply connected in her stunning abstract paintings. A gender non-conformist, Hilma took part in seánces in the 1870s and formed a women's group, De Fem (The Five). De Fem immersed themselves in the paranormal and mysticism and practiced automatic writing. These pioneering women created unconventional ways to create and "channel" liminal art (including 'exquisite corpse' chance drawings, a term & process coined and used much later by the Surrealists).
Hilma, a mathematician and linguist, created a highly personal language of symbols, letters, color, and words. Her work demonstrates her passionate interest in dualities, harmonies and balance, as well as her desire to abstract representations of love and ethereal realms of spiritual transcendence.
The delayed recognition of the art of Hilma af Klint disrupts the authority of 'art history.'
Presciently, Hilma af Klint left extensive notebooks and plans for the future exhibition of her artwork in a circular gallery like a temple not unlike the Guggenheim, confidently assuming that her unconventional abstract spiritual art would one day be displayed, understood and highly valued.
A hundred years after they were created, the paintings and artwork of Hilma af Klint are thrilling viewers and bewitching art historians. Hilma af Klint is finally being recognized for her significance in art history and mysticism.
Her exhibition will be held in Guggenheim in the first half of next year(April 23, 2019). As the Guggenheim’s Senior Curator and Director of Collections, Tracey Bashkoff, points out, af Klint’s work was trading in symbolic, non-naturalistic forms ten years before abstractions began showing up in the work of the men we consider pioneers—Vasily Kandinsky, Piet Mondrian, and Paul Klee.
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