In Madness and Practice, Liz Dawson's paintings and drawings and Lucy Teasdale's sculptures draw us into a space where gestures, surfaces, and fragments fold back onto themselves, narrating a persistence in small but deliberate shifts.
In Madness and Practice, Liz Dawson's paintings and drawings and Lucy Teasdale's sculptures draw us into a space where gestures, surfaces, and fragments fold back onto themselves, narrating a persistence in small but deliberate shifts. Marks that initially suggest they were quickly made and forms that appear pliable reveal how the seemingly futile can overlap with an attentiveness that is breathtakingly poetic. (Text: Ilyn Wong)
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Guide
Bernar Venet, 1961—2021 60 Years Of Sculpture, Painting & Performance
Hyundai Moka Garden by Hayon
Goyoson: not him, but them and Michel
The Alchemy of You and I - Choi Jeong-Hwa
Watch a Korean Master Craftsman Make a Kimchi Pot by Hand
Rodney Graham: Artists and Models
Contemplating Internalised Monumentality Mediated by Material: Giovanni Pisano’s Crucified Christ (c. 1280)
Brâncuși Captures His Sculpture & Life on Film
Jean Jullien creates line-drawn sculptures for Nantes' Le Jardin des Plantes
